Scents and Sensibility

Philomena Bucket, having fled Ireland, had endured a month cooped up in the hold of the merchant ship Hetty Pegler’, with cotton pollen irritating her nose and eyes. Following the sudden death of the kindly ship’s captain, she had been slandered as a witch and a harbinger of ill-luck by the first mate of the doomed vessel and now, as its sole survivor, she had reached the island of Hopeless, Maine. Within an hour of setting foot on relatively dry land, however, she found her leg to be in the vice-like grip of something that deigned only to show, so far, a single maliciously powerful, grey-green tentacle. As it dragged her towards its dark lair amid the rocks, Philomena had little doubt that such an unsettling extremity could only belong to a creature who was fully equipped to enjoy a robust and unfussy carnivorous diet.

Suddenly the darkness deepened as a strange, indistinct shape blocked out the meagre moonlight. As the figure drew nearer, she could see that it was that of a burly man with a battered hat and a huge bucket strapped to his back.

Without the newcomer having to say a word, or raise the stick that he was carrying, the suckered tentacle loosened its grip around Philomena’s leg and slithered silently and sullenly into the shadow of the rocks.

‘‘Are you alright ma’am? Sorry’’

‘‘I’m fine, thank you”, she affirmed, “Though the old leg’s a bit on the sore side.”

She paused. “Why did you say sorry?” she asked.

“The smell. Sorry about the smell.”

“Ah. Not a problem.”

It had been such a long time since her olfactory functions had ground to a halt that Philomena had quite forgotten that she had no sense of smell. She could only assume that her saviour had been referring to some slight body odour or even – and Philomena’s pale cheeks flushed ever so slightly pink at the thought – that he was apologising for having inadvertently passed a little noxious gas just before they met.

“You really don’t mind?” even in this dim light Philomena could see the puzzlement on the man’s face.

“No, not at all.”

The Night-Soil Man shook his head in disbelief, tempered with no small degree of pleasure.

For those who have never encountered the Night-Soil Man, I should explain. It is his task to go about by night, servicing the cesspools, privies and earth closets of the inhabitants of Hopeless. It is a lonely occupation, executed with dignity and discretion by one who has been bred to the life. The Night-Soil Man is invariably recruited, as a young boy, from the orphanage. He serves an apprenticeship and when his master eventually succumbs, often sooner rather than later, to the strains and perils of his trade, the apprentice takes over. Because of the perennial stench that surrounds him, the Night-Soil Man is destined to be virtually friendless and definitely celibate for all of his days. The one advantage, however, to this seemingly dreadful curse, is that every creature on the island, however nightmarish, will give him a wide berth.

“Would you be knowing somewhere where I can dry me dress off and get some sleep?” she asked, hesitantly.

“There’s always The Squid, or The Crow,” said her companion, stroking his chin with a grimy hand.

Philomena was confused. The squid or the crow? What good were squids and crows if you wanted your clothes drying?

The Night-Soil Man saw the look on her face and assumed she had no wish to go to either establishment.

“Tell you what,” he said.  “I’m going to be working for hours yet. I’ll show you where I live, it’s not far from here, and you can sort yourself out there. In private, like.”

Fifteen minutes later Philomena found herself in the Night-Soil Man’s cottage, drying her dress in front of the fire, while he continued on his rounds. For reasons he could not fathom he found himself to be somewhat distracted by thoughts of this pale stranger who had wandered into his life.

When he returned home, just before dawn the following morning, the Night-Soil Man found Philomena curled up in his armchair, snoring gently. Tenderly he draped a rug over her sleeping form and tiptoed out to the kitchen to make breakfast. He was not able to get that sweet, pale face out of his mind. There had suddenly manifested a strange sensation deep in the pit of his stomach, a sensation for which he had no explanation – unless, of course, it was the Starry-Grabby Pie that he had had for supper.

When Philomena awoke, some hours later, the Night-Soil Man offered to take her to ‘The Squid and Teapot’, an inn famed for its generosity towards newcomers to the island. Philomena would be safe there, until she found alternative accommodation or – as was so often the case – disappeared without a trace.

As they walked along the cobbled road to the hostelry affectionately known locally as simply ‘The Squid’ Philomena was somewhat alarmed to see anyone they encountered shrink back from them, covering their mouths and noses. As an albino she had suffered more than her share of discrimination over the years, but the people of Hopeless seemed extreme in their reaction. Standing in the courtyard of ‘The Squid’ the Night-Soil Man told her that he could not go any further.

“The landlord and his wife are good people – they’ll give you room and board for as long as it takes. Help as much as you can and they will ask for no other payment.”

Philomena thanked him and he watched wistfully as she disappeared through the stout oak doors of the inn.

Everything happened exactly as the Night Soil Man had predicted. Philomena was granted full board in a comfortable little room on the ground floor of the inn, in exchange for helping out with cooking, cleaning and other chores. After her experiences on the road, she was a little surprised to find that she received no hostile stares within its confines.

Each morning Philomena would find that a posy of tiny flowers had been left overnight and placed upon her windowsill. These cannot be called wild flowers as such; wild flowers, on Hopeless, are really wild. They attack people, run around on limb-like roots and generally cause havoc. No – the flowers on Philomena’s windowsill were of the tame variety, flowers that had struggled up through the unforgiving terrain of this most inhospitable island. She had little doubt who had left them.

She developed the habit of getting up early and making her way to the Night-Soil Man’s cottage, catching him just as he reached home at the end of his rounds. They would exchange news and gossip, laughing like children beneath the greasy, fog-bound skies of what passed as Springtime on Hopeless, Maine. As the days slipped by, a gentle, platonic love blossomed between the two. They would often sit in silence for hours, the tips of their fingers barely touching, each innocently enjoying the simple presence of the other.

It was maybe two weeks after Philomena first reached Hopeless that the landlord of ‘The Squid’ declared a state of emergency. The inn’s supply of alcohol was running dangerously low. It was only then that she remembered that the ‘Hetty Pegler’ had been carrying a consignment of Irish whiskey. If the ship had not disappeared completely, maybe it was still salvageable.

Philomena, along with a small but enthusiastic band of ‘Squid and Teapot’ regulars, made their way to the cove in which the wreck still lay. She was lying considerably deeper in the water than Philomena remembered. She hoped that liberating the whiskey would not be too arduous a task.  The party set to and before long, a reassuringly large number of casks were sitting on the rocks. Besides these, they had managed to salvage a veritable treasure-trove of pots and pans, coils of rope, ink, paper, furniture, cutlery and crockery. All this had been carefully stacked, safely out reach of the encroaching sea, which was becoming increasingly rough, threatening to sink the ‘Hetty Pegler’ for good.

“Just one more look around before she goes down,” yelled Philomena to her companions on the shore. Despite their declaring that they had collected enough and further trips would be dangerous, she ignored their protestations and returned to the ship for one last foray.  Waves had begun to break over the bows before she reappeared on the sloping deck, brandishing a bottle of rum and a china chamber-pot, both of which she raised above her head in triumph.  As she did so, the wreck gave an awful groan, like the death-rattle of some great beast. It lurched and, with little warning, rapidly slid beneath the waves taking Philomena with it. The watchers on the shore could only stare helpless as Philomena disappeared and the rum and chamber-pot flew into the air.

Luckily Philomena managed to escape the sinking ship before it had chance to drag her beneath its shuddering bulk.  All the same, she was no swimmer and the icy salt water was in her eyes, her throat and up her nose. There was seaweed – if seaweed it was – wrapping itself around her legs and tugging her to certain doom. She flayed wildly, desperate for life, not wanting to die just yet… or anytime soon. As if in answer to her unspoken prayers, she felt strong arms tugging at her, lifting her from the angry ocean. The salvage party had turned into a rescue party.

Philomena sat in front of a roaring fire in the snug of ‘The Squid and Teapot,’ drinking a bracing concoction of hot water and whiskey. The excursion to the wreck had been a great success and despite her last, somewhat foolhardy actions, she had become the toast of the island – but something was different. Philomena could not pinpoint exactly what it was but something in her life had changed.

The next morning, she made her way to the Night-Soil Man’s cottage, as usual.  She smiled to herself; it was her turn to give him a present. During the previous evening she had taken one of the sheets of paper, recently retrieved from the wreckage, and sketched, from memory, his portrait. Philomena, it must be said, was an accomplished artist and had supported herself – albeit frugally – drawing and painting for some of the wealthier citizens of Cork, who unwittingly bore within them the spirit of the Medici.

The Night-Soil man came to greet her at the door, smiling broadly but his smile froze when he saw her reaction. She had stopped abruptly, a startled look upon her pallid countenance. She gagged, putting her arm to her mouth. If it had been possible for her face to have blanched even more, then it would have.

“It’s okay,” he said sadly, his head bent in despair. “It’s not your fault. I understand.”

She could not open her mouth to speak, for fear of retching, but the sorrow in her eyes said it all.

She reached out and stretching her arm to its full length, offered him the sketch that she had so lovingly made. He took it from her and for one last, brief time their fingertips touched.

“I love you,” he said, softly, tears rolling down his cheeks.

She looked at him with brimming eyes, then turned and fled into the grey morning, uncontrollable sobs racking her frail body.

The Night-Soil Man returned to his cottage, his heart heavy. His tears had smudged the picture slightly but it did not matter. Written in neat, rounded letters at the bottom of the page were five priceless words that he would treasure forever.

‘With all my love – Philomena’

 

“It’s quite simple,” pronounced Doc Willoughby, joyfully sampling a generous mouthful of the whiskey that Philomena had brought him.

“You were suffering with anosmia. Loss of smell. Almost certainly to do with the pollen stuck up your nose.”

“But how…?” she started to ask a question but Doc, who never missed an opportunity to flaunt the limited knowledge that he possessed, cut her short.

“One of the remedies is to flush the nasal passages with salt water, which you did in some style, may I say.”

Philomena looked down sadly. Anosmia. Oh, how she wished she still had anosmia.

“Can I reverse the process?” she asked, hopefully.

The Doc frowned. Why would she want to?

“We don’t get troubled by too much pollen on Hopeless” he shrugged, pouring himself another drink.

By Martin Pearson-art by Tom Brown

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Aether Egg Hunt: With Nimue Brown

Terrible Hopeless Maine Easter eggs, nesting over on Penny Blake’s blog.

Blake And Wight . com

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Greetings, salutations and the polite waving of tentacles.

I’m Nimue Brown and I write a whole array of stuff – fiction, non-fiction, poetry, graphic novels… I also do unspeakable things for money, but best not to get in to that.

I gather that in Steampunk’d Lancaster there is an annual Aether Egg Hunt  – a chance for authors to connect with their readers and give a little gift of thanks for all their support in the form of an Aether Egg or Small Gift linked to the fictional world they have created. I’m always wary when talking about Hopeless Maine in terms of things people might enjoy, but there we go. This may be the bit of the process you get to feel uneasy about, while other aether eggs can be hunted with greater safety.

So here is my contribution which may do more to undermine the…

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Philomena Bucket

 

Philomena Bucket had found it easy to stow away aboard the merchant vessel Hetty Pegler’, as she lay anchored in the Coal Quay of Cork. It had been almost as easy as Philomena’s decision to leave Ireland for good and seek fame and fortune as an artist in the United States of America.  That, unfortunately, was where ‘easy’ came to an abrupt halt. It took just three days for her to be discovered. Racked by hunger and confident, though misguided, in her belief that the ship would be deserted in the early hours, Philomena crept on all-fours from her hiding place in the hold, only to come face to face, or rather, face to knees, with the first mate, who was attending to his duties as middle-watchman.  It took very little time for Philomena to learn that here was a man who had little room for freeloaders on the ship and would happily have thrown her overboard. Fortunately, however, his respect for the chain of command overcame his natural instincts.

Captain Longdown was cut from a different cloth to his second-in-command. He had been at sea for forty years, had a weak heart and really did not want any more difficulty than was avoidable. To the first mate’s barely concealed disgust, he treated the waif-like creature, unceremoniously hauled before him, with great leniency. It was tricky enough keeping his crew in order at the best of times, without having this young woman aboard. Despite her bone-white pallor and long, snowy tresses, he could see that standing before him was a beauty, albeit an odd one, who could cause more than her fair share of trouble if left to wander about his ship.

“You can get off at the first landfall,” he said, not unkindly. “In the meantime, please keep out of the way.” He waved his hand dismissively, “Just go back into the hold, or wherever it was that you were hiding. I’ll get food brought down to you.”

Not wishing to advertise the presence of the strangely attractive stowaway, the captain entrusted the task of conveying her meals to the less-than-amused first mate, who fumed quietly. It was bad enough for a stowaway to be aboard, but for him, second only to the captain in rank, having to wait upon her was untenable.

From Philomena’s point of view, things were not too bad. She was enjoying a better quality of food and shelter than she had ever known. Staying out of sight was a small price to pay. The only fly in the ointment was a sudden attack of hay fever, which, in this enclosed space and hundreds of miles from the nearest land, puzzled her. The truth was that ‘Hetty Pegler ‘ had previously conveyed a cargo of raw cotton from Virginia, the spores of which still stubbornly fluttered around the rotund casks of Irish whiskey now gracing the hold. The result was that her previously pink, albino eyes were now quite red and her sense of smell seemed to have abandoned her altogether.

It was fully three weeks into the voyage that things started to go awry. A violent storm blew up from nowhere, mercilessly lashing the merchant ship and sweeping a young seaman overboard. For two hectic days the storm refused to abate. A ripped section of the foresail came free from the gaskets. It took four men to climb the rigging to secure the sail but only three returned. The other fell to his death, sprawled like a stringless puppet upon the deck. When, at last, the depleted crew breathed a weary sigh of relief as the tempest eventually blew itself out, an extra rum ration was distributed. Their troubles, however, were far from over. They had been blown far off course and it was not many days later, picking their way gingerly through the many islands peppering the coast of Maine, that the Captain Longdown, succumbing to his heart condition, watched the sun sink over the yardarm for the last time and quietly died. Command of ‘Hetty Pegler’ passed to the first mate, a man, we have already learned, not known for his tender heart.

 

The captain’s body was still cooling when the recently promoted first mate dragged Philomena up on to the deck. Stunned and blinking in the sunlight, she winced as he grasped her roughly by the wrist.

“Here is the cause of all of our troubles. This albino witch has cursed this voyage and all the time your oh-so-tender-hearted captain just stood by and let her do it.”

The superstitious crew muttered angrily as they saw, for the first time, the pale, fragile beauty being paraded, humiliatingly, before them.

“Even now she casts some sort of spell. Look at the fog curling up around us. This is not natural.”

The sailors looked and had to agree that the thick mist that had suddenly engulfed them was quite unlike anything they had ever experienced. Its murky tendrils, sinuous and smoky, curled over the ship’s sides, slithering up the masts and coldly caressing their legs. One could, indeed, be forgiven for believing it to be an enchantment, for the crew, to a man, stared in absolute silence, totally mesmerized by the ghostly fog. They quite forgot that their ship, now almost becalmed, was quietly inching forward through dark and hazardous waters. Only when the agonised scream of tortured timbers being reduced to matchwood shattered their reverie, did they realise that they had hit a submerged reef. The ‘Hetty Pegler’ was sinking.

“Abandon ship. Get to the lifeboats” yelled the mate, quite unnecessarily as it happened; the self-same thought had occurred to everyone else.

Philomena suddenly found herself alone, standing on the deck of a doomed ship. She could just make out the blurred forms of the retreating lifeboats. Despite the fact that everyone else had apparently escaped unscathed, there seemed to be an inexplicable amount of noise and commotion coming from their general direction. Terrified screams and huge splashes, as if a large object was being smashed to a thousand pieces by an even larger object, filled her ears. She strained her eyes, still sore from the hay fever, to see through the creeping fog and ascertain what, exactly, might be causing such a disturbance. Mercifully, they failed her and she was spared the spectacle of a gaping beak and long, thick tentacles writhing from the churning ocean, savagely ripping apart the fleeing lifeboats and their gibbering occupants.

It was less than a minute later that the wreck of the ‘Hetty Pegler’ came to an abrupt halt, with her wooden walls still intact, by and large, and bobbing about just above the waterline. Philomena’s feet were barely damp. She gazed about her with a mixture of relief and puzzlement. The ship appeared to have run aground on an island. Had the crew known how close they were to safety and not acted so hastily, they could have reached the shore with ease. Why, there were even lit candles, tiny beacons that would have guided them in. It was almost as though they were expected. She could not help but notice other lights, too. They seemed to be moving, as if with a purpose, yet high in the sky, barely discernible through the murky air. Wading thigh-deep through the chilly waters, Philomena wondered to herself how such a thing might be done but immediately dismissed the question from her mind, as the more pressing problem of getting dry and finding shelter occupied her. Stepping on to terra firma, she sneezed violently three times. Despite this, the cotton pollen that had insinuated itself deep into her nasal passages was determined not to move.

Within the hour, night had fallen and a weak, sickly moon peered through the misty sky. Philomena had made slow progress. She found herself walking a dark and rocky path that she fervently hoped led somewhere. Anywhere that had four walls – three walls, even – and a roof of some sort, would suffice. She was frozen. Her wet dress clung heavily to her pale legs and seemed to be getting heavier by the second. It was almost as if something was trying to drag her to the ground. She looked down and stifled a small squeal. Something was!

Welcome to Hopeless, Maine, Philomena Bucket.

To be continued…

 

By Martin Pearson-art by Tom Brown

Lilly May

You’ll meet Lilly May in volume 3 of the Hopeless Maine series. She doesn’t have a big role in this book, but she’s an important part of the rest of the story, and you’ll be seeing a good deal more of her. As you can see from this image, she’s an inventor. This isn’t my colouring, this is an early version Tom did because we needed a coloured version for the Stroud Steampunk Weekend poster.

Lilly May also features significantly in a prose book I started writing last year and fell out of and may well go back to.

So here are some things about Lilly May that aren’t obvious in the next graphic novel.

She uses the walking chair because she had polio as a child and doesn’t have much lower body strength as a consequence. She can stand up and move short distances, but mostly she needs the chair to get around. The chair is of her own designing, she built it, and she maintains it herself.

Lilly May spent most of her childhood at the orphanage, and built her chair in what had been Owen’s workshop, using scrap he’d collected. She is entirely self taught. Owen has no idea she’s been using his workshop, which is probably as well because Lilly May does things with magic that would make Own uneasy.

This became apparent to me while Keith Healing was developing the Hopeless Maine role play game and put together some mechanics for demon devices – a means by which players can put demons in devices to get stuff done. I’ve not paid too much attention to the game mechanics while writing, but I liked the idea, so made off with it. Lilly May’s chair has an entity residing in it. A detail that isn’t in the game – demons often like to be warm. Hopeless is a cold, damp place and sometimes demons make pacts on the basis of spending their time very close to a warm, dry boiler. Perhaps these are old, tired demons. I’m not sure.

At fifteen, Lilly May is already heartily sick of how people respond to both her face and her chair. She has little time for anyone not smelling faintly of oil and metal, unless perhaps they can offer her something on the magical side.

Balthazar Lemon

Things we know for sure about Balthazar Lemon – he is Salamandra’s grandfather, by dint of being Melisandra’s father. He is an inventor and built the lighthouse. He has a bit of a thing about fish.

Things we do not really know about Balthazar Lemon – what he did after the end of The Gathering. How he build the lighthouse. Why he has a bit of a thing about fish – although when questioned about this with regards to the fish powered church organ, he responded by asking what we though God smelled like.

His imagery suggests Chinese origins. Balthazar is more of a Middle Eastern name. Lemon is not a surname to naturally go with either. I do this on purpose. Partly because the population of Hopeless is diverse while the author lacks sufficient knowledge to accurately portray people from everywhere. Partly because I like ambiguity, and uncertainty, and combining names and imagery in ways that are out of kilter is a way of doing that. Partly because Hopeless is not neatly part of our world.

We never see Salamandra’s maternal grandmother, we only hear about her occasionally from other people. She’s one of the many invisible women in the story. In the second half of The Gathering, Sophie Davies tells Salamandra a story about who her grandmother was. While we never deal with this in the books, I’m about 90% sure that Sophie was lying about some of the details, and that she wanted to give young Sal a story that would help her deal with her actual family. Taking into account how Balthazar feels about sea life, I’m fairly sure that the woman who was never known to anyone as ‘Mrs Lemon’ simply returned to the sea. She may have been something a bit like a mermaid. For all we know, she may still be out there.

Why Mrs Beaten makes so much jam

Sometimes, when it is late and she does not sleep, Mrs Beaten misses her husband. She thinks at great lengths of the things they did together, late at night, when there was no one else to see, or judge. She considers it important to be clandestine about some things. It is a gesture of respect to your neighbours to make sure that they have little or no idea what you do. One should have multiple lines for laundry so that items revealing too much can be hidden from viewing.

Mrs Beaten notes that it is curious how one can hate a thing at the time and miss it when it is gone. This is true of both her late husband, and the things he liked to do in the night. She does not regret his absence.

Sometimes, when the town is too quiet, and there is no sound of wind or wave to distract her, Mrs Beaten stalks her own kitchen at night. She reaches for the jams that did not quite work. For the fish jams, and the crab jams that of course aren’t sweet, or pleasant, or anything at all like jam, but which keep through the winter… She opens them, and painful compulsion takes over. She smears the contents onto her skin, her clothing or even her hair. Sometimes she wails aloud as she does this, but only very quietly so that none of the neighbours will notice her keening sounds as anything distinctive amongst the night cries of the island.

On the following morning she will have to clean herself and her home, as she always did. It feels less shameful, now. She does not judge herself for these compulsions.

Things I am up to

Comics making thoughts from Nimue Brown.

Druid Life

This week I finished colouring volume 3 of Hopeless Maine. It’s the second graphic novel I’ve coloured, and the first time on my own project. For those of you less familiar with the mechanics of comics making – this is normal. Making a comic involves writing a script, drawing it, colouring, inking (or over-lining in our case) and lettering the pages. These can all be done by different people, and in the more famous comics there is more of a production line approach to creation.

I started working on pages back when Tom did a project called The Raven’s Child. I took on some of the shading work to try and get him some breaks and time off. It’s not unusual in the comics industry for people to work ten and twelve hour days, and seven day weeks, and for a while we did that. We’ve since decided that the…

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Making comics – making you complicit

Working on the Hopeless Maine graphic novel, things have occurred to me about how the whole comics making process works. One of the things that struck me recently (over the head, with a damp tentacle) was the way in which a comic creates the perspective of the viewer. How a comic is drawn tells you who you are in relation to what you’re seeing.

Many comics favour a filmic approach to the art. Exciting angles, worm’s eye view, bird’s eye view, Dutch angles (when you tilt the camera). Distance shots, medium shots, close ups. You see the world of the comic as a camera would see it, as though you are watching a film. It can be a way of creating surprising and dramatic art, and showing off the artist’s grasp of perspective, space and angles. In terms of creating good art, this may be a significant factor.

When you watch a comic as though it was a film, stood on the outside, seeing through an imaginary set of cameras, you are outside the story. You are an observer, and the story is something you see, not something you participate in. Films show us streams of images that make sense, and that we can just look at with little effort on our part. Comics show us static images and we have to provide the motion and sound track in our heads. We have to turn the written words into voices. Comics require us to be much more active participants in bringing the story to life.

We don’t do a lot of fancy angles with Hopeless, Maine. There has been occasional criticism of this. Tom does the odd Dutch angle, but he points out that this is often what happens when you tilt your head to look at something. Most of the time, the perspective the reader gets is the perspective of someone standing, or sitting in the same scene. You might not be on an absolute level with the characters, but the eye view you get suggests that you are a person and in there with them.

It may not be a coincidence that so many people have been able to imagine themselves as just that – on the island. This blog is rich with contributions from people who have no trouble imagining they were there. Of course you were there. You’ve seen it with your own eyes…

Witherspoon’s Mother

This is Mrs Witherspoon. She cooks at the orphanage, and teaches cooking. By ‘cooks’ I mean that she is incredibly adept at chopping up things and boiling them, and has an absolute confidence about what can be eaten, even if it does fight back when being dished up. In fairness to her, no one has ever died as a result of Mrs Witherspoon’s cooking, although a fair few people have chosen to go hungry instead. Learning not to be too fussy is a good life skill on Hopeless, Maine.

Like many women in history, her personal identity is obscured. Her surname is not the one she was born with. The late Mr Witherspoon – who we never really see, but whose existence can be inferred from her presence, was Reverend and orphanage manager before Reverend Davies took up the job.

In the portrait, we see her at her best, armed with the tools of her trade and the medium of her art – tentacles. However, as with Whistler’s Mother (a painting we clearly haven’t stolen from even a little bit) the woman in the image is defined by her relationship to the artist. Even as she’s represented, she’s being erased as a person in her own right. Do we succumb to the temptation to ask who the younger Witherspoon is? Are we interested in the artist? Or are we interested in the woman who has been made a subject of the art?

Mrs Witherspoon herself doesn’t say much. Like so many women whose lives have made them invisible, she’s never said much to anyone about her own experiences. She’s seen a great deal that she will never speak of. She knows secrets – most especially the secrets of the Reverends of Hopeless Maine. Her silence supports and enables. It facilitates. It does not challenge or question or offer a counter narrative. Hers is the silent complicity of women through history who have been willing to believe that the men know best and should lead and not be questioned… Women who have done this not in ignorance, but in full knowledge of what they were going along with.

Mrs Witherspoon believes in feeding orphans. She does not believe in questioning why there are so many orphans to begin with. She is not the sort of person to cause trouble by suggesting any of the things that might reduce the number of orphans in the first place. She is certainly not the sort of woman to create a scandal by letting any breath of a whisper escape into the world about how many of the orphans she has tended were actually her husband’s children.

Perhaps that’s why, if you look at the picture in the background, Witherspoon the Younger has suggested a rather unsavoury fate for Mrs Witherspoon.

Sailing the gothic sea, bound for Hopeless, Maine

Review!

Mind Games with Dr Matt

Hopeless, Maine, from the minds and pens of Tom & Nimue Brown, is a deep, rich world, that is both new and also incredibly familiar.

It taps into a deep melancholy that evokes Poe, Dickens, Carroll, and Lovecraft, and also shows us that we can find warmth and comfort at times from acknowledging the collective sadness and angst, which we as humans, are all touching to varying degrees throughout our lives.

The visual style has an almost therapeutic quality, and it’s clear the artist pours themselves utterly into each frame.

I don’t want to talk at great length about it, as it can only really speak for itself, I just would like to encourage you all to discover Hopeless, Maine, for yourselves.

https://hopelessvendetta.wordpress.com/

And if you are a devotee of roleplaying games, can I also recommend you follow the link below and check out the Hopeless, Maine RPG, which is…

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News for the residents of Hopeless, Maine.