Hopeless Maine extras

Let’s start with some technical details. It takes about six months of Tom working full time to draw a Hopeless Maine graphic novel. On top of this, I do about 2 hours of work on each page, plus the writing time, so let’s call that 200 hours on each book at least. Now consider how much you think a person needs to earn in a six month period.

If a comic print run is 2000 books, at £10 a pop, the entire run is worth £20,000. Half of this will disappear into the hands of distributors, and bookshops. In the case of direct sales at events, those also have costs. So let’s say that half the money does indeed make it back to the publisher – that’s 10k. The publisher has to pay for the printing, the warehouse storage and the other costs of being a publisher. What remains, pays the wages of the publisher, the artist and the author. It doesn’t add up to a massive heap of beans. It is not possible, in small scale comics publishing, to earn enough to live on, simply. Not for the creators, and not for the publishers.

Some creators and publishers manage this by making comics alongside doing a job. This means the comics are much slower to create, and you’ve got the added pressure of working 2 jobs, or more.

So, that’s the gloomy bit. However, we do manage and we are committed to getting this series finished. One of the things that really helps is the small stream of income I get from Patreon. A bit of predictability goes a long way. I also work an assortment of day jobs as a freelance sort of person, and Tom also takes other paying work, but there just aren’t enough hours in a day for this to be easy. We are both a long way from being bright young things who can work forty and fifty hour weeks without massive consequences.

Right now on Patreon, there’s a new Mrs Beaten story for supporters. https://www.patreon.com/posts/tale-from-maine-29332415  I’ve also been serialising New England Gothic – a prose prequel to the graphic novels. Supporters get new videos before anyone else, and at the glass heron level, we post things out as well. It gives Hopeless Maine enthusiasts more to chew on, and it gives us more money to buy stuff to chew on, which we like. We’ve tried the hungry creator model, and it really doesn’t work for either of us.

If you are able and willing to get more involved, thank you, from the bottoms of our hearts and the hearts of our bottoms.

https://www.patreon.com/NimueB 

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The Dustcat Wrecking Ball

Dustcats are generally rather cute entities, prone to floating about and slurping up dust. If a single dustcat feels threatened, it may spew dust at you. Unpleasant for most people, fatal for anyone with serious allergies.

On rare occasions when a large number of dustcats all feel put out, threatened, offended or enraged at the same time, they form a wrecking ball. All the soft bits go in the middle, all the pointy bits on the outside. It looks something like this…

The Indispensable Man

Ever since the episode with the phonograph – described, you may remember in the tale ‘Ghost in the Machine?’ – Gwydion Bagpath had begun to register the existence of Philomena Bucket. Previously, she had barely caught his attention. As the self-appointed elder of the Commoners, his lofty position had rendered him far too busy to notice her. There had been beachcombing and salvaging expeditions to oversee. In addition to this, he felt that it was his duty to ensure that the Nailsworthy family were attending properly to the venerable elder trees that the community relied upon. Then there was his role as both chairman of the Gydynap Preservation Society and the Common Committee (organisations which met for a liquid lunch, twice yearly in ‘The Crow’). On top of these onerous duties was the business of standing around and looking important; the gravitas that his position required would not cultivate itself. But I digress. Gwydion had noticed Philomena Bucket and realised that, despite her pale skin and white hair, she was an extremely attractive young woman – that is to say, young by Gwydion’s standard. He was at least twice her age, but he was a widower looking for a young wife to comfort him through his old age and Philomena seemed to be perfect for the task. Philomena would be honoured, he felt certain, to be invited to step out with him, with a view to courtship and eventually marriage.

Blissfully unaware of Gwydion’s long-term plans, Philomena was happy enough (if not exactly honoured) to join him occasionally for a brisk stroll along the headland. As ever, Drury, the skeletal dog, would amble along beside her, sniffing everything in his path and chasing shadows.

‘Damned infernal creature,’ thought Gwydion uncharitably, seeing Drury as being less of a dog and more of a passion-killer. Of course, he would never voice this opinion aloud, knowing how fond Philomena was of her strange companion.

In order to win Philomena’s approval, Gwydion would use these walks to inform her of his many qualities. He would speak, at some length, of his altruism, his bravery, his generosity – the man’s virtues knew no bounds, at least in his own mind. Philomena, of course, was no fool and soon realised that she was being played like a fish on a line. She did not dislike Gwydion but the feelings he invoked in her were far from romantic – and she could never love anyone who displayed such obvious coldness towards Drury. She resolved, therefore, to find reasons to avoid these strolls. She would do this gently, however, to avoid hurting Gwydion’s feelings. That was her intention, anyway but being, perhaps, too kind for her own good, she left things too late and found herself, one foggy afternoon, in the position of being subjected to a proposal of marriage.

They had been walking towards the town when Gwydion suddenly dropped down on one knee and asked for her hand in marriage.

“I’m sorry Gwydion, but I can’t possibly marry you,” she stammered.

A pained look passed over the old man’s face and his voice shook.

“Your hand… give me your hand… “

“I told you no…”

“For heaven’s sake, give me your hand, you idiotic woman, and help me up. My back has gone and goodness knows what else. I’m stuck.”

Try as Philomena might, this was to no avail. Gwydion was well and truly locked into a kneeling position and no amount of heaving by Philomena could budge him.

“I’ll get Doc Willoughby,” she said. “He’ll know what to do.”

Doc Willoughby knew exactly what to do. He arranged for a couple of burly lads from the Common to come along and carry Gwydion, still stuck with one knee bent in the time-honoured proposal attitude, back home.

“Silly old fool,” the Doc muttered. “What was he doing down there, anyway?”

“He was proposing marriage,” replied Philomena, simply.

“Well I propose that he stops making himself look ridiculous and give up chasing young women. He must be seventy, if he’s a day.”

Sad to relate, Gwydion never recovered from this latest affliction. Even though he was eventually able to stand normally again, his joints were past their best and his life was never the same. To the relief of everyone concerned, he reluctantly gave up his committees and overseeing duties. The job of Elder of the Commoners was discontinued; most had long realised that elder did not necessarily mean wiser. It came as something of a shock when Gwydion realised that nothing had suffered for his absence and life on the Common progressed as it always had. Before many months had elapsed, he died, a broken man. Little by little the name of Gwydion Bagpath faded from people’s memories.

It was many, many years later that an American soldier named Dwight Eisenhower, (who, I am reliably informed, did quite well for himself in later life) revealed that he always carried in his pocket a copy of the following poem. It’s a pity that Gwydion had not read it…

The Indispensable Man

Sometime when you’re feeling important;

Sometime when your ego’s in bloom

Sometime when you take it for granted

You’re the best qualified in the room,

Sometime when you feel that your going

Would leave an unfillable hole,

Just follow these simple instructions

And see how they humble your soul;

Take a bucket and fill it with water,

Put your hand in it up to the wrist,

Pull it out and the hole that’s remaining

Is a measure of how you’ll be missed.

You can splash all you wish when you enter,

You may stir up the water galore,

But stop and you’ll find that in no time

It looks quite the same as before.

The moral of this quaint example

Is do just the best that you can,

Be proud of yourself but remember,

There’s no Indispensable man.

Story by Martin Pearson-art by Tom Brown

Show me your tentacles

This song emerged as a consequence of a conversation with Meredith Debonnaire. We were talking about what kinds of things people might sing in the pub in Hopeless Maine. The pub in question being The Squid and Teapot.

I firmly believe that no matter how grim and depressing the circumstances, there will always be people who can find something to laugh at. Or be rude about. Humour is how we cope with things, so in a grim environment, it makes sense that some people would be all about the giggles whenever possible.

And so, when we were at Blist’s Hill for The Town That Never Was  (a good place for song writing, I am finding) I put this together…

Many thanks to everyone who has contributed to the tentacles we have at home!

Ghost in the Machine?

I have no idea how the phonograph survived the storm and subsequent shipwreck – but survive it did. This was, unfortunately, more than could be said for the captain and crew of the ‘Golden Cross’, the merchantman that had set out with the honourable intention of ferrying the new-fangled Edison-Bell machine across an inhospitable ocean to England, only to flounder early on in its journey. It would be not unreasonable to suppose that the fogbank that suddenly loomed in her wake was the downfall of the ‘Golden Cross’, concealing as it did – and still does – the treacherous rocks and unnamed terrors lurking in the waters surrounding the island of Hopeless, Maine.

The crate had looked promising, sitting foursquare on the beach. An address label revealed that the intended consignee was the recently founded Gramophone Company, of Maiden Lane, London, England. This gave no clue whatsoever regarding the contents of the crate to the Nailsworthy brothers, twin boys who had never heard of a gramophone, London or, indeed, England. Despite this, they carried it with great care and not a little difficulty back to the Common, wary not to disobey the large, red stencilled letters, which advised ‘This Way Up’ and ‘Do Not Drop – Fragile’.

Regular readers will know that The Common is home to a small community, originally descended from some of the earliest settlers on the island. These are called Commoners. They are recognised by all on Hopeless for their homely disposition, scavenging prowess and no small amount of inbreeding.

A crowd had gathered, anxious to see the wonder that had been revealed, once an inordinate quantity of packaging and padding had been removed from the crate. What could it be? A polished wooden box with a big brass horn and a handle that seemed to do nothing in particular. This was certainly a conundrum that confounded the brains of the brightest of the Commoners. Although it made no sense, the strange item was treated with a certain amount of awe and reverence; after all, they reasoned, anything that had required such delicacy to transport must be a treasure of some worth. In view of this, the phonograph was set up with great ceremony in the middle of their meeting hall.

It was a week or so later that Philomena Bucket chanced to call by. As ever, Drury, the skeletal dog, was scampering along beside her, rattling happily and attempting to mark his progress with phantom micturitions.

No sooner had she set foot upon the Common than the Nailsworthy brothers appeared and ran excitedly to her.

“Miss Philomena, come and see. Come and see what we’ve found.”

Before Philomena could protest the boys dragged her to the meeting hall and proudly pointed to the mysterious machine.

“Why, it’s a phonograph” she said. “I haven’t seen one of those for ages. I wonder if it still works?”

“D’you know what it does? Can you make it work? Can you… can you? ”  asked Hubert and Osbert Nailsworthy excitedly. “Show us, miss Philomena – pleeease…”

“I think so,” Philomena smiled. “But I need to find some things first. I’ll come back this afternoon.”

It took no time for the word to get around that Philomena Bucket was going to make the machine do something quite wonderful, though no one knew quite what that would be. This did not prevent Gwydion Bagpath, the self-styled elder of the Commoners, speaking knowledgably on the subject, having gleaned whatever information he could from the Nailsworthy boys.

“It is as I guessed,” he said with an air of importance, “I recognised it immediately, of course. It’s called a um… called a…”

Gwydion racked his brain to recall what the boys had said it was.

“Ah yes, it’s called a pornograph I believe”.

Morning wore into afternoon and the excitement in the air was almost palpable as the Commoners waited impatiently for Philomena to return. She, in the meantime, had been ransacking the storeroom of the ‘Squid and Teapot’, looking through the spoils that had been salvaged from the wreck of the ‘Hetty Pegler’, the ship that had brought her to the island several years earlier.

The ship’s skipper, Captain Longdown, had possessed a phonograph exactly like the one salvaged by the Commoners. While Longdown’s phonograph had not survived, some of its cylinders had. Without a phonograph, however, they were quite useless but, thanks to the ‘waste nothing’ philosophy of the island, they had been squirreled away just in case they might come in handy for something one day.

A reverential hush descended upon the meeting hall as Philomena, with Drury at her feet, wound the handle of the spring-gear that powered the machine. She fixed a cylinder in place, positioned the horn for best effect and gently lowered the circular brass reproducer, with its sapphire needle, on to the cylinder’s surface. This began to turn and suddenly, from the depths of the horn, there arose the tinny but unmistakable warblings of a strangulated Irish tenor, who was professing his love for a girl with a wheelbarrow; a girl who apparently sold sea-food.

Philomena gazed wistfully at the Phonograph, her mind transported back to the land of her birth. Her reverie, however, was rudely interrupted by the screams of panic as her audience lapsed into mass-hysteria, believing themselves to have been subjected to all sorts of diabolical witchcraft. Unfazed, Philomena replaced the cylinder with one that played only music. It was Beethoven’s ‘Fur Elise’, a tune beloved by every manufacturer of music-boxes, pretty much since the day that the old boy wrote it. Music-boxes were something that the Commoners could understand. They had seen them before. They knew how they worked. It was generally accepted, by one and all, that music-boxes were definitely not at all diabolical.

One by one the audience drifted back in and Philomena was eventually able to convince even the most sceptical that there was no imp or ghost singing, no demonic voice to ensnare them. Hopeless had its fair share of terrors, this was not one of them. Gingerly, Philomena wound the handle, put the  ‘Molly Malone’ cylinder back on and sang along, her sweet soprano voice mingling with that of the tremulous tenor. Gwydion Bagpath tentatively joined in with the chorus, then, following his lead, another voice picked it up, then another and another until the meeting hall rang with the strains of

‘Alive, alive oh,

Alive, alive oh,

Crying cockles and mussels,

Alive, alive oh.’

By common request the handle was wound and ‘Molly Malone’ was played over and over, more times than anyone could count, until Philomena, quite frankly, felt that she would be happy if she never had to hear the song ever again. Drury, however, was more than content to sit in front of the phonograph’s horn, his head cocked to one side, enjoying every moment. Alive, alive, oh – it was a good thing to be.

Story by Martin Pearson-Art by Tom Brown

 

In which we receive tentacles

The lovely Mark Hayes has generously given us many tentacles! (and reviewed the latest volume of Hopeless, Maine while he was at it!)

Better still (if such a thing can be imagined) he has put us in company with two of our favourite authors- Meredith Debonnaire  and Craig Hallam!

You will want to read it now, I expect. Well, you have only to click on the lovely tentacles in order to do so.

 

The Bargain

A month had passed since Hank had wandered unwittingly into Hopeless. For some days previously he had been searching for the legendary Lost Dutchman’s Gold Mine, deep in the Superstition Mountains of Arizona, when his path led him to a fissure in the rocks, through which daylight and wispy fog issued improbably.

Hank was tall and wiry, two yards of whipcord draped in buckskin. He had had no problem in slipping through the narrow gap, though persuading his bulky backpack to follow had been more of a challenge. Eventually he had emerged, blinking and somewhat confused into the daylight.

You may recall, from the tale ‘Dutchman’s Gold’, how Hank had met Philomena Bucket, who managed, with some difficulty, to convince him that he was not in Hell but in Hopeless, Maine, some two thousand miles from Arizona. Though he accepted Philomena’s assurances, to Hank’s mind, Hell seemed a more likely explanation, not least because of the presence of the skeletal dog, Drury.

With his usual generosity, the landlord of ‘The Squid and Teapot’ had given Hank board and lodgings in exchange for a few chores. While grateful, the prospector was keen to leave the island. He reasoned that if there was one path that could bridge two thousand miles in a hundred paces, there must be another and – dagnabbit! he was going to find it.

Hank said nothing of his plan to leave, either to the landlord or Philomena. As a token of thanks he left his pocket watch on the bar; it was a beautiful, antique half-hunter that he had won in a card game a few weeks before. For a man who had journeyed two thousand miles in twenty seconds, time and space had become irrelevant. The hands of the watch showed seven o’clock and somewhere, high above the ever-present fog of Hopeless, the sun was rising and attempting, with little success, to illuminate the island. Without looking back, Hank closed the door of the inn quietly behind him and set out for the Gydynap Hills, the place where his life on Hopeless had begun.

The path that wound into the heart of the hills was steeper than Hank remembered. A month of being relatively inactive had taken its toll on his stamina and despite the morning chill, he broke out into a sweat.

For hours he wandered the hills, desperately searching for something – anything – that would lead him away from Hopeless. Squatting on the damp ground, Hank gave himself time to get his breath back. The sun was low in the sky by now, ready to drop below the horizon, having given up all hope of penetrating the unforgiving blanket of fog. Stuffing his pipe with his last, precious, twist of tobacco, Hank scanned the area pensively, looking for some likely cave or feature in the landscape that would lead him away from this accursed island forever. There was nothing obvious, nothing that indicated ‘Arizona – this way’. With a heavy heart he was about to give up his quest when a barely discernible movement caught his eye. Dimly, in this half-light, he spotted a small figure tottering unsteadily into a cluster of rocks, no more than twenty feet away, its tendril-like arms and legs clutching more spoons than it could comfortably manage.

“It’s one of them weird things,” Hank said  to himself. “Dam’ nasty little critters that walk along on cutlery.”

What was it that Philomena had called them? Spoonrunners? Something mad like that. As Hank recalled, one such creature had slipped into the doorway that had brought him here, just before it snapped shut. It could be worth following it.

By the time Hank had reached the tumble of rocks, the spoonwalker was long gone. A few yards ahead, however, a dropped spoon was lying on the rocky ground. Hank stopped to pick it up, noticing, as he did, the hole through which the creature had disappeared. Hank gasped. It seemed to be washed in a dim, green light which issued from somewhere deep inside the hill. This was hopeful! The gap  unfortunately, was no more than ten or twelve inches high and of half that in width. Maybe that garish, unearthly glow was some sort of sign that there was a path that could get him back to the Superstition Mountains. Hank looked around for something to prise the rocks apart, but could find nothing remotely suitable to use as a lever. Cursing his luck, Hank sat down, leaned against the cliff wall and closed his eyes.

”Dagnabbit!” he said aloud, “What I wouldn’t give to get to the Dutchman’s gold mine.”

“And what would you give?”

Hank jumped up in alarm, not expecting a response. A tall, pale, almost cadaverous, figure dressed in funereal black was leaning languidly against the rock face.

“Jumping Jehosophat you gave me a turn,” complained Hank, indignantly.

“I repeat… ” said the stranger, firmly, “what would you give to get to the Dutchman’s gold mine.”

Hank eyed his new companion with some disquiet. From the outset he had been convinced that Hopeless was Hell; if that  was the case, this fellow was probably after more than he was prepared to part with.

“Well, you ain’t having my soul, if that’s what you’re after…” he said, angrily.

The cadaverous stranger threw back his head and laughed. It was a hard, mirthless sound.

“Your soul… whatever do you think I would do with your soul? You might as well offer me your unkempt ginger beard or the ridiculous floppy hat that you’re wearing.”

Somewhat offended, Hank grew defensive. He was fond of his hat.

“Well, s’obvious I ain’t got nothing you want, so you might as well go before you get me all riled up and I do something we both regret.”

The stranger smiled. It was not a particularly pleasant smile but in that poor light Hank did not notice.

“How about…” said the stranger, in measured tones, “how about we come to some arrangement when you get to where you’re going?”

Hank was becoming suspicious that there was more to this stranger than he was telling. He had heard tales of what happened to folks in Hopeless after the sun went down.

“And you ain’t a-going to hurt me?”

“My dear fellow, why on earth would I wish you harm? No… no, I give you my word as a gentleman, I will cause you no pain whatsoever. This is purely a business transaction.”

Hank shrugged. If this character was being less than honest with him there was little he could do to avoid it.

“Alrighty,” he said, throwing caution to the wind, “get me to the Dutchman’s gold mine and you can have half of what I’ve got.”

“Wonderful!” exclaimed the stranger, giving the cliff face the gentlest of pushes,  “then we’ll go straightaway. Follow me.”

With a faint scraping noise the rocks parted and the two stepped into the lurid green light of the cavern.

Hank had expected the road back to the Superstition Mountains to be rough and narrow. He was quite incorrect on both points. He found himself on a broad thoroughfare that meandered gently down through the belly of the hills. He was feeling better already. That green light – wherever it came from – seemed less sinister now and his travelling companion appeared to be decidedly light-hearted, despite his gaunt appearance. The only niggle that bothered him was the fact that it was taking a darned sight longer to get there than it had to come. A darned sight longer!

“Are we nearly there?” he asked, unwittingly repeating the mantra chanted by every child, ever since the earliest human migrations began.

“Indeed we are,” said the cadaverous stranger. “But first we must stop and eat. I have some particularly delicious cake that I’m sure you will enjoy.”

Hank took the cake gratefully. The stranger was right. It was delicious.

“Ain’t you eating too?” he asked suspiciously.

“No, I have a meal waiting for me at home. It would be a pity to spoil it.”

Hank finished the cake and they walked on for another mile or so. Suddenly the stranger stopped and pointed ahead.

“Look, look – there it is. The Dutchman’s gold mine.”

Hank stared into the cavernous space before him.

“Where? I can’t see nothing.”

“Oh you will.. you will. Here it is – yours to work for all time.”

The words flowed into Hank’s consciousness like a river of honey. He shook his head and sure enough, there was the mine, just as he had imagined. Thick veins of gold ran like ribbons through the rock and the ground was littered with nuggets of every size and shape.

“The Dutchman’s gold!” exclaimed Hank dreamily.

“Ah, yes, the Dutchman’s gold.” said the stranger, soothingly. “Look there are tools on the floor, picks and buckets – everything you need.”

“Everything I need,” echoed Hank in a flat voice, totally lacking in emotion. He bent down and reached for a pick that was not there.

 

Deep beneath the island of Hopeless, Maine, in a cavern wrapped in utter darkness, a figure goes through the motions of excavating gold from a mine that only he can see. Day and night he works, stopping only to drink brackish water and eat the thin shards of the mercifully nameless meat that is left for him. He has been told that it is beer and the best beef that Arizona can offer. He is content. His buckskin clothes are little more than tatters and shreds and his once red beard is now long and grey. Sometimes he sleeps and that is when they come to feed. The stranger told him no lies. There is no pain, no discomfort. Just a numbness as he unwittingly gives half of what he has. He is gradually fading and soon he will be no more than a wraith; only then will the illusion fade and the torment begin.

Story by Martin Pearson- Art by Tom Brown

Spidermilk biscuits

This is a piece that came about because The Keith of Mystery wanted to do a Hopeless Maine Home Companion set at the Stroud steampunk weekend. The original Home Companion had sponsors, including powdermilk biscuits. Tom Brown – familiar with the original – did something disturbing in a Hopeless Maine sort of way.

This recording doesn’t really do justice to the live experience – we had half a dozen people on the groaning, all horribly out of tune with each other. It was truly magical.

The Case of Good Fortune

Hello people! (and others)

We have a special Vendetta post today (or whenever you are reading this, naturally) This post highlights a box of wonders created by one of the finest and most creative makers in all of steampunk, in my experience. We came across this because Salamandra’s key was to be incorporated in it, but this had lead me to find the rest of his work and costuming. Here is a mind that embraces sheer childlike creative glee and combines it with great skill, craftsmanship and keen intellect. So, without further ado (hoping that was sufficient ado, for you) we bring you, The Case of Good Fortune and what its creator had to say about it!

___________________________________________________________________________

It’s in the second drawer down on the left, along with the Key of Erebor, the Key to Davy Jones’ locker, a complete set of Wills ‘Lucky Charms’ cigarette cards and an authentic signature from Van Kleist.

What is?

Salamandra’s key.

This is one of eight drawers in a wooden box that has seen better days. The drawers contain a number of seemingly random objects, like a sample of Holy Water, a bezoar, four baculums and a small pot of soot. These treasures are all part of the ‘Case of Good Fortune’, a Compendium of Good Fortune for the Discerning Traveler compiled by my grandfather in 1916.

The collection was put together as a means of harnessing the certainty of good outcomes that invariably follows the expert use of the right combination of good fortune charms. The power of this collection above any other, however, is the inclusion of a scientifically proven electrical system which directs the user to the optimal set of charms to use in any particular scenario by way of a series of knobs and flickering lights.

Hence when seeking good fortune with respect to wealth the user may be directed to a device that accurately predicts forthcoming lottery numbers, or when seeking fame the user might be directed to a pair of aurodium plated gold dice.

A special switch in the control panel allows the user to choose whether to accept good luck charms which rely on the placebo effect or not. The case has a mind of its own, however, and it sometimes knows better than the user.

Two particular points merit further mention. One is that the case includes a number of artefacts (including samples of hair, a wand, a tintype and a signature) from well known members of the UK Steampunk scene. There is also a sample of ore from the Spiffing-cum-Lightly tin mine. Together with Salamanda’s key it is expected that the inclusion of these charms (including Rapunzel’s hair and the Thestral tail hair) will enhance the power of the case when its contents are used within the Steampunk community.

The second point is that subsequent to its completion in 1916 a number of items in the case have found their way into later works of fiction including books and film, such as Felix Felicis (Harry Potter), Mr Pointy (Buffy the Vampire Slayer), the moustache curlers (Hercule Poirot) and the Tibetan thunderbolt (The Imaginarium).

The outside of the box is decorated with a number of tatty maps of The World, Great Britain, Morecambe and Madison Wisconsin as well as the route of the Orient Express. Having won the UK heat of the Steampunk World Suitcase Challenge at Morecambe the box will be (at least figuratively) off to Teslacon at Madison Wisconsin for the world final in November 2019.

The theme of Teslacon this year will be Murder on the Orient Express. The key fob belonging to compartment 66 is to be found in the third drawer down on the left. But will Salamandra’s key fit the lock?

Nimrod Lancaster III”

No photo description available.

No photo description available.

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Is that not a thing of joy??  We are desperately proud to have been in any way associated with this artefact. The Key was made by the equally amazing Mat Inkel of the Arcane Armoury. (whom we hope to work with again, as he is just generally wonderful) If you would like a key of your very own, you would be well advised to click on the following highlighted word. For more information on Sal’s key and the making of it, we did a post, which can be found here.

I hope (as always) this finds you well, inspired and thriving.

 

 

A Dog’s Life

Killigrew O’Stoat loved mornings like this. As mornings go, this particular one was not exceptional, pervaded, as always, by copious amounts of chilly fog. The quality that Killigrew appreciated was daylight. It was midsummer and although very little occurred to mark the changing of the seasons on Hopeless, the summer months gave him the gift of being able to finish his work while basking in the semi-opaque dawn of another Hopeless day.

 

For three years Killigrew had been the island’s first – and self-appointed – Night Soil man. Being reclusive in the extreme, the anti-social stench, coupled with the nocturnal nature of the work, gave him the solitude he so craved. With his night’s labours finished, it was pleasant to rest for an hour on the rocky headland, listen to the waves breaking upon the rocks far below and allow his mind to wander wherever it wanted. On the morning of our tale, however, his reverie was interrupted by a sound he had not heard for some years; the barking of a dog. Although the founding families had brought a few pets and domesticated animals with them to Hopeless, these had not fared well, mostly falling prey to the many hazards – natural, supernatural and decidedly unnatural  – that were (and indeed, are) the scourge of the island. The mere sound of a dog barking, therefore, released in Killigrew a wave of nostalgia. If there was a dog on the island he had every intention of getting to it before it met an unpleasant fate.

 

The little that was left of the life-raft had been reduced to matchwood, having been dragged over the rocks by two long, sinuous and suckered arms. Those arms were now wrapped tightly around the middle of the raft’s former occupant, a grizzled man in nautical gear, who thrashed around like a fish on a hook, fighting desperately to avoid being dragged into the creature’s lair. The source of the barking – a scruffy looking dog of indeterminate breed – dashed frantically around in impotent rage. Killigrew raced along the headland and down to the beach, leaping over rocks and boulders, careless of his own safety. To the Night Soil Man’s horror he could only watch helplessly as the terrified seaman was pulled, kicking and screaming, into a dark cleft in the rocks.

Yet another tendril-like arm slithered out and tightened itself around the frantic dog, who snarled and bit angrily.

Killigrew knew that there would be no reprieve for anything dragged into that lair. He had never seen any more than those serpentine, grasping arms but knew from experience that the nightmare that wielded them was a vicious killer. He had witnessed this before.

Gasping for breath, Killigrew threw himself heroically into the entrance of the cave, thankful that the gaping maw devouring the gory remains of its victim were somewhere deep in the lightless recesses behind him. Immediately, as if by some unheard command, the dog was unceremoniously dropped on to the ground and the writhing arms seemed to shrivel as they receded past him, back into the cave. Killigrew smiled to himself. His overpowering stench had, at least, served to save one life today.

The great curse of the Night Soil Man’s existence is also its blessing. The work is foul and the incumbent, though respected, is a pariah, avoided by all. The silver-lining to this malodorous cloud is that he is also shunned by every living creature ( not to mention the undead and the not-at-all-sure-whether-they’re-alive-or-no) on the island. There are, of course, exceptions but these, like the monstrous Wendigo and Pamola, the bird-demon of the Maine Indians, are as ancient as the land itself and don’t really count. Dogs, however, are the undisputedly non-mythological exceptions that simply adore awful smells. Every dog owner knows that their beloved pet loves nothing better than to inhale or roll in the vilest of things – and this is how the dog on the beach became Killigrew’s only friend and faithful companion.

It would be less than helpful if I continue referring to the dog on the beach as simply ‘the dog on the beach’; in future I will call him by the, frankly unimaginative, name that Killigrew gave him: Dog.

In fairness to Killigrew, he remembered that the hairy, bouncy creature with a leg at each corner and an exceptionally long tongue standing before him was generally referred to, in the English-speaking world, as ‘dog’. The constraints of his amnesia, however, prevented him from recalling that these animals would usually have a unique name bestowed upon them, such as Bonzo, Lassie, or possibly Spot, a useful attribute when summoning them for walks, etc. Fortunately confusion was avoided, as on Hopeless such niceties are not necessary; in the absence of any other canine competition, ‘Dog’ was name enough.

For ten short but happy years Killigrew and Dog were inseparable. If anyone spotted the Night Soil man – usually no more than a silhouette on the skyline – rest assured, Dog was at his heels, or chasing ahead in pursuit of a spoonwalker, or other quarry (which he always failed to catch). Occasionally Dog would wander off on his own, sniffing and snuffling around the island while Killigrew slept but always returning in the evening, announcing his presence by scratching at the Night Soil Man’s door. Those were the best years of their lives. Then one dreadful day, in late spring, Dog went for a lone walk and did not come back.

Killigrew was frantic with worry. He waited for hours, neglecting his work, hoping for the familiar scratching at the door that would tell him that all was well but it never came. At midnight, in desperation, he decided to go and look for his beloved friend. He scoured the island with a flaming torch in his hand, calling Dog’s name, his voice breaking with anguish. It was dawn when he found him, curled up in one of his favourite hideaways, in the shadow of Chapel Rock. At first Killigrew thought  – hoped – that his friend was just sleeping, but the awful truth soon dawned. Weeping hot tears, Killigrew scooped Dog’s lifeless form into his arms and grief-stricken, carried him back to his cottage.

The Night Soil man could not bear to think of Dog lying in the bare earth, where his body could be exhumed by any scavenger who happened to pass. To give him to the sea would be as bad, or even worse. He needed to keep Dog as safe in death as he had in life – but what could he do? And then he remembered the sinkhole at the end of his garden. He had not looked into it for years. Though it would break his heart to do, it seemed the best place to let his only friend spend eternity.

With some difficulty Killigrew dislodged the capstone that had served to seal the sinkhole. He peered down into the depths, then fell back in astonishment. He dimly remembered having seen a vague iridescence, deep in the bowels of the island. What Killigrew was witnessing now was no faint glow but a green inferno, raging untold fathoms beneath him.

With a heavy heart, Killigrew picked Dog up for the last time, buried his tear-stained face into his friend’s neck and sobbed a heartfelt “Goodbye, old friend.”

With as much tenderness as he could muster, he lowered Dog’s body into the mouth of the sinkhole, then let it go, watching in anguish as Dog fell, for what felt like an age, into the abyss, down to the cold green flames, far, far, below.

Like a man in a trance, Killigrew knelt by the side of the hole for an hour or more, his gaze transfixed upon the final resting place of his only friend.

Replacing the capstone, Killigrew scratched upon its face a large letter ‘D’ by way of a simple memorial.

It was with reluctance that Killigrew strapped on his night soil bucket that evening. He went to work feeling more alone than he had ever felt in his life.

 

Spring turned to summer, summer slipped into fall and the days became shorter. Killigrew had taken to spending hours just sitting by the capstone, where he recounted to Dog his adventures and the gossip of the island. Then, under the cover of darkness, he would go to work, returning home, hours later, exhausted.

 

Killigrew had no idea how long he had slept. It was dark outside but night fell early at this time of year. The Night Soil Man lay on his bed, hardly daring to breathe. Something had disturbed him, something familiar. There it was again… a scratching at the door. It couldn’t be… could it? Killigrew dashed outside, half-expecting to see Dog, tail wagging and ready for a night’s adventures. But Dog was not there. Of course he wasn’t! Then Killigrew stopped in his tracks. The capstone had been moved and was standing on end, the scratched letter D clearly visible in the moonlight. He raced over to the sinkhole and peered in. There was some faint illumination in its depths but nothing like the eerie conflagration that he had seen when Dog died.

Sadly, and cursing himself for being a fool, Killigrew made his way back to his cottage slamming the door behind him. Someone was obviously playing a very cruel joke on him.

 

A short distance away, Hyacinth Jones discovered that her husband’s long underpants had been mysteriously removed from the washing line… and somewhere, out by Chapel Rock, a dog barked.

By Martin Pearson-art by Tom Brown

 

News for the residents of Hopeless, Maine.