Category Archives: poetry

The Blue Emperor

A patchwork of bricks undulate in smog

the houses and inns connected by arteries of alleys

Walls sag like tired frogs sat in grime and bulge from years of swallowing

In between the amphibious buildings that eat people whole is a man a cobalt dragonfly

his hood up a hole and no face sleeves connected at a chest no outline of legs when he glides

A rag child said two claret dots inhabit the dragonfly’s shroud

This the only statement that was said aloud but whispers chatter in cupped palms and over drinks

since shutters sealed when patrons leave as a weary bird calls and light wheezes through sky

In the darkest blue speckled with stars streets are glossed black and cherry

as human-flies pop no fists connected or intoxicated braying just echoes of thick snoring

In the grey when fish fill noses port stains dry on the road tasting like rusted pig salt

Investigators finger the outlines squatting in corners writing a profile on bleached yellow paper

Children push at thighs to spot guts but there are no gizzards no sliced hands or spoiling innards

just a spattering of puddles saturated in stonework crannies that insects stick to like seeds in jam

No victims just a switch of people to pools on mouldy cobbles

The Blue Emperor flutters on a headline before being washed down gutters

Handymen scrub watching every seagull shadow stains not cleaned just passed to skin

The thin and sick vagabonds that don’t know tricks chant and pray in warped corners

Ankles poised to kick a bolted hatch when the dragonfly hovers and silk flows

On a pub door fingernails dig and oak is scratched and split

Watch at two for a dragonfly

If it stops in front say goodbye

To loved ones embrace and sound a bell

The Blue Emperor is where you dwell

Pray Pray Pray

For a light to mark the day

and a good sea wind to take his wings away

The Blue Emperor by performance poet Ziggy Dicks (welcome to the island, Ziggy!)

Art by Tom Brown

Advertisements

The Blind Poet continued

In anticipation with the misty aura precipitation falling on the wet cobbled streets,
footsteps echo, echo.
The blind poet’s back straightens; shoulders awkwardly flex, fingers and fist clench with intense momentary anxiety around the long black cane. Will it ever be the same?
Ten years is a long time to wait, sit, think and debate with fading colours of her midnight black hair.
From the homeland he remembers too painfully a saying –
No man is an island
Except for the Isle of Man.
Will he know how to talk to her?
Can smiles run together?
A grin starts to fill his wet stubble skin, and then within seconds the echoes vanish.
No trace, no return, no smiles.
Silence
Damp, cold, empty, nothing.
She could light up a room on arrival,
turn a glance to a gaze, thousand yards of staring bearing all beauty can behold
with confidence many never possess.
He was hooked, drawn in and now many full moons later gutted,
sitting alone in the mist and rain on the harbour side of Hopeless Maine.

 

 

Words by Gary Death

Art by Tom and Nimue Brown.

The Blind Poet

The Blind Poet
Hopeless, Maine
If only you could see it.
Through the mist bursts forth the ferry’s bow.
No flicker of a smile, without hesitation or concern he steps confidently ashore.
The Blind Poet has arrived.
Carving visual thoughts through orange glowing streets he pauses to reflect on heady days of old.
The gambling, the addiction all now conflicting into each stride taken in this new location.
The black cane, the stick a weapon or an aid to defend or project for safety or status.
All of these are debatable.
He trusts no-one.

Once well-read ‘til his eyes swelled and bled, those secrets kept deep within his head – tilts to listen for footsteps on the wet cobbled stones….he waits for news.
Memory holds many chambers of hope, love, regrets and pain.
He knows that her beauty will never be seen again.
But maybe…
The voice a touch can rekindle a flame on this misty evening in Hopeless, Maine.

Galleries of oil paintings, landscapes of old forest trees.
Sitting viewing, holding hands.
All spin through his ageing head.
The good days the easy times.
Thoughts of warmth wrap themselves around him tonight in the lampposts’ glow.
A seagull cry breaks the silence and thoughts of the past.
Echoes of steps drawing nearer and nearer fill the quay side street.

Words by Gary Death

Art by Tom and Nimue Brown.

To be continued.

 

Jellyfish Woman

Not everyone believes in jellyfish woman.

So thin and pale her skin that

You do not see her until she

Is upon you. Too late then.

Her soft body, her tendrils touching

Skin and mind and because

She is poison you will believe

That she is beauty.

Because she is poison

You will believe her a friend.

All the while, jellyfish woman

Cuts you with a hundred barbs

And takes blood from a hundred cuts.

Leaves you floating and confused.

Later, you will recall the beauty,

And how kind she seemed.

So lovely, jellyfish woman, that you

Go back freely to her cove.

Into her waters.

Telling yourself the barbs do not cut

That poison is kindness

That you do not mind the drops

Of blood she needs to survive.

She is so beautiful, after all.

And the water in her cove is deep enough

To hide all the bones from you.

And all of your bones

From everyone else.

Do spoonwalkers write poetry?

It washed up in a bottle on the beach here at ‘Morrigan’s Bay’ and was not easy to decipher, being sloppily scrawled with many ink blots. Reminiscent of Vogon Poetry, it alludes to both Hopkins and Leer in a most amateur and offensive way, showing little grasp of the works it clumsily references. It is almost as if some spoon obsessed creature with tentacles has stumbled across the tatters of a beach-washed poetry book and this is its sad attempt at mimicry. I am not sure whether to feel pity or repulsion…

The Runcible’s Lament

The Demitasse and Bouillon set to sea

In a vessel of pea green glass

The runcilble sighed to be left behind

And he called it a terrible farce

No ducks here to sieve,

To quinces to give

Only caviar, soup, and tea

And many strange

ephemera of spoons

With holes in for company

He sighed at his own

Pied beauty alone

Reflected grotesque

In his bowl

And prayed for the end

That fate would soon send

Some demon to feast on his soul.

 

 

Words by Lou Pulford

Art by Tom Brown

Tentacoils

‘Twas chillblist, and the tentacoils
  Did writhe and wrangle ‘midst the waves:
Beleaguered was my little boat
Far off the coast of Maine.

Above the storm, a voice sang fell

 A knell, if not a note in tune,

But th’ wind did snatch the words away

 And left my soul in swoon.

 

“Beware the mermaids, child!” it cried
  “The howlers wild, with nails that slash!
The noisome gnii, the beasts of sea
and those your spoon wouldst snatch!”

 

 

“Beware the tentacoils!” it sang

“Beware the stinging succubus

The eyes that glow, the shades that grow,

And demons of the dust!”

 

But firm I took my oar in hand:
  Long time in dark for hope I sought —
‘till in Hopeless State I came to rest,
And lay awash in thought.

 

And, as in lone despair I lay,
  Demonic Shades, with eyes of flame,
came salivating for my soul
And sang, o sang, my name

 

And so a while I’ll linger on

To wander Hopeless in a daze

And bathe my soul in demon song

For all remaining days…

 

‘Twas chillblist, and the tentacoiled
  Did writhe and wrangle ‘midst the waves:
Beleaguered was my little boat
Far off the coast of Maine…

 

Words by Lou Pulford.

Art by Tom Brown