Those of you who have been with us for a while may be able to guess what this is for.
Hello again people (and others).
As some of you will know, we are working on translating the Blind Fisherman (The prelude to Hopeless, Maine) to film. Towards this end, I’ve started sketching settings that will appear in the film to help me visualise the settings so that I can move on to storyboarding. Once the script is finalised, we’ll storyboard and go on from there. In order to help make all of this possible, I’ve begun studying producing and other aspects of filmmaking. We have a studio, cinematographer, production design and an art director. Our plan is to make this the first in a series of Hopeless, Maine set films.
In the words of our cinematographer, Gregg McNeil ” We’re making a strong statement with this first chapter of the Hopeless Maine Anthology and we hope to continue this with other filmmakers, directors and storytellers each weaving their own visual tale.”
We will keep you up to date on our progress!
Hoping this finds you well, inspired and thriving.
The sea gives, and the sea takes.
It takes the heat from your body and the breath from your lungs.
It gives you mystery and awe.
It takes the living, and gives back the dead.
It takes the dead and gives back the beyond dead… the changed… the terrifying.
The sea takes from the living and gives us shipwrecks, salvage, treasures to use for daily life.
It gives us people who did not want to be here.
And sometimes, just sometimes, what the sea brings to us
Hello people! (and others)
We can now reveal that Hopeless, Maine is returning to North America with Outland Entertainment! The first two volumes will be printed and released soon, along with illustrated prose novels by Nimue Brown and Keith Errington and the Hopeless, Maine RPG is in development and may well be out at the same time. Here is the press release!
Cover art – collaboration between Nimue and myself.
Next to last in the series of These Our Revels, which started with a concept from Hopeless, Maine and has been brought into the world by a concerted creative effort lead by Fiona Sawle and Nimrod Lancaster. This stunning eerie photo was taken by Gregg McNeill of Darkbox Photography during the Sanctuary event.
Gregg has this to say about this plate-
” I love this plate. Exposure time was a trim 4 seconds because it was taken out doors, under a marquee, so lots of ambient soft UV light. It’s only the second time ever I’ve made portraits outside at an event. ”
There were additional challenges due to the weather conditions that day, and their Marquis nearly blew down overnight.
Steampunks in general, and our people in particular are absolutely bloody amazing.
Darkbox Photography have a patreon which can be found here. Please do support their work!
Hello again people (and others)
One of the amazing and inspiring aspects of steampunk is the collaborative energy and what can happen when creative people combine their passion and creativity to bring new things into the world.
This project started because we had long admired the outfits and creativity of Nimrod Lancaster and Fiona Sawle at steampunk events in the UK. We met them at Steampunks in Space (which happens here) and gave a print of this image to them in the hopes that they would adopt it as a costuming project.
They took the print away with them and soon we began getting photos like these…
John Naylor was brought in to assist with the masks . He introduced Nimrod to Fossshape and helped him make the rigid part of his mask.
This is the first part of a series on this stunning project and we will show more progress, the outfits and the unveiling at Sanctuary in the following posts…
Hello people and others!
If you have been following the blog, you will know that we are working with the altogether amazing Dr Abbey on a (growing) number of projects. Here is an amazing complex and utterly gorgeous design of Annamarie Nightshade in his style. The scan does not do it justice entirely as there are touches of silver and gold that catch the light as you move the piece. Below this is an earlier drawing of Annamarie by Tom Brown for contrast.
More of this to come, and news of further collaboration. Please stay tuned!
Hoping, (as always) this finds you well, inspired and thriving.
Although Hopeless, Maine has not been released in Japan, Kenichi Tsukuda was introduced to our strange island by Dr Abbey. (Whose amazing art and words you have seen here before) Not having read the books yet, he made this image of Our story becoming a Japanese Anime. The image shows an orphan witch and Nao Kumi, and the creatures that might be found on the island of Hopeless, Maine. It’s always exciting to see how other people are inspired by our story, especially views from other places.
The continuing adventures of the spoonwalker hereby commence!
I got a message from Gregg McNeill (Yes, that’s the same Gregg from Darkbox Photography and the film project. Well done for keeping up!) asking to borrow my Spoonwalker as he wanted to do a photographic print of a Spoonwalker in a bell jar. I was thrilled at the idea! Then I had a closer look at the Spoonwalker I had made and realised he would never survive the trip through the post. He’s made of air dry clay and wire (and spoons, obviously). I then remembered that I was owed a favour by a well known maker and creator of wonders. None other than Herr Döktor! I contacted him at his lair of strange and sometimes dangerous things and asked if the favour I owed him would equate to something like a Spoonwalker. As it turned out, it did! (or near enough!) So we now have a new Spoonwalker in the family. Here we see a progress shot and the little bloke himself and a charming rampage in the garden. There are plans for a Spoonwalker II now, who might be cast so that more of the charming (and slightly unsettling) little creatures might be unleashed on a now vaguely suspecting world. The one you see here, will now be sent to Gregg so that he might be the subject of an utterly splendid photographic print using vintage processes.